Murder by Proxy

Plot

Drunk and down-and-out Casey Morrow in London is approached by a young and beautiful heiress, Phyllis Brunner, offering him much money if he will marry her. He accepts, but then wakes up the next morning in some other woman's apartment with blood on his coat from the murder of Ms. Brunner's father with a fire poker. Now he must unravel the mystery to clear his name, which leads him into a twisted labyrinth of encounters with various suspicious characters who seem to make his situation worse the more he learns.

Cast

Dane Clark as Casey Morrow

Belinda Lee as Phyllis Brunner

Betty Ann Davies as Mrs. Alicia Brunner

Eleanor Summerfield as Maggie Doone

Andrew Osborn as Lance Gordon

Harold Lang as Travis / Victor Vanno

Jill Melford as Miss Nardis

Alvys Maben as Lita Huntley

Michael Golden as Inspector Johnson

Nora Gordon as Casey's mother

Alfie Bass as Ernie

Delphi Lawrence as Linda

Arnold Diamond as Mrs. Brunner's butler

Cleo Laine as singer

Olive Sloane as landlady

Production

Dane Clark's casting was announced in September 1953. This was the 2nd of three films he starred in for Hammer. He stayed on in England to make Five Days (1954).

The film was shot at Hammer's Bray Studios in Berkshire with sets designed by the art director J. Elder Wills.

Script supervisor Renee Glynne later recalled that Belinda Lee "was still very inexperienced at that time and I had to watch her quite carefully. She'd cross her legs the wrong way or turn her head at the wrong moment or come out with the wrong line, so I'd have to correct her and try to help her out. Dane obviously fancied her and got very cross with my professional interference. He got quite nasty and was actually pushing me away from her." Glynne says she had to take medication "in order to survive the rest of the film. After that I had to give all my instructions to him through the director, Terry Fisher ... after some shots he'd have to put his head under cold water because he was so enraged that I was even there. Eventually he realised how silly it all was and went down on his knees, tears streaming down his face, begging me to forgive him. But I still asked Tony Hinds to take me off the next film he was in."

Reception

The Monthly Film Bulletin wrote: "The treatment is sufficiently persuasive to bring a fair amount of excitement to the well tried material. Dane Clark, playing with effective restraint, makes a credible character out of the bail hero, aided by Eleanor Summerfield as the wisecracking Maggie Doone. Belinda Lee's voluptuous charms are more stimulating than her acting. Technically the film is competently made, and the dialogue is agreeably convincing."

Variety called it "a gabby, overlong, import from England that has Dane Clark heading the cast as the only name known in the domestic market. Condition of the supporting feature market is such currently that the film will have no trouble getting bookings, even though it offers scant measure of entertainment.... There's nothing the players can do with the plot as presented under the production helming of Michael Carreras, and Terence Fisher's direction is deliberate to the extreme, even for a British offering."

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Grim, slightly dull thriller with some witty lines along the way."

Chibnall and McFarlane in The British 'B' Film described the film as: "a pretty hackneyed story."

Filmink called it "an entirely decent, unpretentious film noir; the age gap between the leads is annoying, but Lee is an ideal femme-fatale-or-isn't-she?"