Vicky Cristina Barcelona

Plot

Vicky and Cristina visit Barcelona for the summer, staying with Vicky's distant relative Judy and her husband Mark. While the two are great friends, Vicky is practical and traditional in her approach to love and commitment and is engaged to the reliable Doug, whereas Cristina imagines herself to be a nonconformist, spontaneous but unsure of what she wants from life or love.

At an art exhibition, Cristina is intrigued by artist Juan Antonio, who Judy says has suffered a violent relationship with his ex-wife. Later, he brazenly approaches Vicky and Cristina to invite them to join him right away for the weekend in the city of Oviedo, traveling there in a small plane he flies himself, for sightseeing, fine dining and drinking, and hopefully, having sex with both young women. Cristina is won over by the offer almost at once, but Vicky is unimpressed and reluctant; she, however, eventually decides to accompany her friend anyway, mainly to watch over her.

At the end of their first day, Vicky refuses to join Juan Antonio in his hotel room, citing her fidelity to Doug, but Cristina accepts his invitation immediately. Right before they want to hook up, Cristina suddenly falls ill with digestive complaints, and is put to bed with food poisoning. Vicky and Juan Antonio spend the weekend together alone while they wait for Cristina to recover. Vicky gradually changes her opinion of Juan Antonio as he tells her about his tumultuous relationship with his ex-wife, María Elena. Vicky accompanies him to visit his father, an old poet, and then becomes deeply moved by a Spanish guitar performance later that evening. She finally consents to Juan Antonio's advances as they walk through a grove of trees in the dark. The next day, with Cristina feeling better, the three of them fly back to Barcelona.

Feeling guilty, Vicky does not mention the incident to Cristina, and the two begin to grow apart. Vicky throws herself into her studies while Cristina and Juan Antonio take up a relationship. Cristina then moves in with Juan Antonio and begins to discover more about his past. After learning that María Elena attempted to kill herself, Juan Antonio takes her to his home, where Cristina already lives. After some defiance, the two women grow fond of each other. Cristina realizes that the ex-spouses are still in love, and María Elena suggests that Cristina may be the element that can give balance and stability to their relationship. All three become romantically involved with one another.

Cast

Spanish actor Joan Pera, who dubbed Allen's voice in the Spanish-language versions of his previous films, makes a cameo appearance.

Production

In 2007, controversy arose in Catalonia over the public funding granted to the film, as the high-profile film was presumed not to have needed it; Barcelona's city hall provided one million euro and the Generalitat de Catalunya (Government of Catalonia) half a million, totaling ten percent of the film's budget.

This was the third time Woody Allen and Scarlett Johansson had worked together, following Match Point (2005) and Scoop (2006). This also marked the second time Rebecca Hall and Johansson had worked together, the first time being in The Prestige (2006).

The film featured several paintings by Catalan artist Agustí Puig and included several examples of the work of architect Antoni Gaudí, including his Park Güell.

Reception

Box office

Vicky Cristina Barcelona grossed $23.2 million in the United States and Canada, and $73.2 million in other territories, for a worldwide first of $96 million, against its $15 million budget. It is one of Allen's highest-grossing films.

Critical response

On Rotten Tomatoes the film holds an approval rating of 80% based on 213 reviews, with an average rating of 6.9/10. The site's critics consensus reads: "A beguiling tragicomedy, Vicky Cristina Barcelona charms with beautiful views of the Spanish city and a marvelously well-matched cast." Metacritic gave the film a weighted average score of 70 out of 100, based on 36 critics, indicating "generally favorable reviews".

Scott Tobias wrote in The A.V. Club that it was "a witty and ambiguous film that's simultaneously intoxicating and suffused with sadness and doubt." Richard Roeper suggested that Cruz should receive an Academy Award nomination for her performance in the film. Mick LaSalle of the San Francisco Chronicle praised the film as "the work of a confident and mature artist", referring to Allen. Manohla Dargis of The New York Times wrote "Although Vicky Cristina Barcelona trips along winningly, carried by the beauty of its locations and stars — and all the gauzy romanticism those enchanted places and people imply — it reverberates with implacable melancholy, a sense of loss." Richard Corliss ended his review of the film with "Vicky Cristina Barcelona has neither the sardonic heft of Max Ophüls's La Ronde (1950) nor the emotional precision of Ingmar Bergman's Smiles of a Summer Night (1955), two films that also dance the change-partners gavotte. But the film is so engaging so much of the time that it feels like a modest rejuvenation: evidence that a summer in Spain can do wonders for a writer-director who may not have outlived his prime." Ian Freer of Empire gave the film 4 out of 5, and wrote "within Allen's recent output, Vicky Cristina Barcelona is a highlight. See it for beautiful locales, an ambivalent look at human relationships and a clutch of great performances, particularly from Cruz."

Accolades

The film appeared on many critics' top-ten lists of the best films of 2008 including;